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ART,
CULTURE & GLOBAL BUSINESS
Snapshots from the World Economic Forum
Harry Hillman Chartrand
©
Journal of Arts Management, Law & Society
Volume 22, No. 1, Spring 1992
Introduction
The
World Economic Forum (WEF) was established in 1971. Headquartered in Geneva
Switzerland, it is a not-for- profit foundation contributing to world economic
and social progress by fostering global cooperation through personalized
interaction among leaders of global business, politics and academia. WEF is the
‘brainchild’ of Klaus Schwab, Professor of Business Policy at the University
of Geneva. Professor Schwab is both the WEF founder and president. WEF is
engaged in seven activities:
a)
an Annual Meeting held in Davos, Switzerland;
b)
Industry Fora, e.g. Automotive, Energy, Engineering & Construction, Finance,
Food & Agriculture, Health, Information Technology and Textiles Fora, held
after each annual meeting;
c)
Country Fora, held around the world, bringing together heads of state, economic
ministers, corporate chief executives and academic experts in industry and
finance;
d)
Initiatives involving select groups of world leaders in a ‘fireside’
atmosphere to examine issues of mutual concern and initiate or support new
global projects, e.g. the World Arts Forum (more later);
e)
Welcom, a private, high security electronic mail and ‘online’ conference
service;
f)
World Link, a global bimonthly magazine received by over 35,000 prime ministers,
chief executives, scientists and opinion-makers; and,
g)
World Competitiveness Report, an annual publication prepared from two principal
sources: (i) the collective statistical resources of the International Monetary
Fund (IMF), World Bank (WB), the Organization for Economic Cooperation and
Development (OECD) and other statistics agencies; and, (ii) a Business Confidence
Survey of 12,000 CEO’s around the world. The report ranks the performance of
33 countries (23 developed and 10 developing) according to 330 economic and
demographic criteria (World Economic Forum 1991).
Art
& Culture Connection
Through
its Initiative program, the World Economic Forum was instrumental in
establishing the World Arts Forum (WAF) in 1990. Like the economic forum, WAF is
a not-for-profit, Geneva-based foundation. Its mission is to enhance the role of
the arts in cross-cultural cooperation and encourage mutual understanding in a
world of cultural diversity. The WAF credo is ‘global unity through cultural
diversity’. The first meeting of WAF, co-hosted by Professor Schwab and
Italian Foreign Minister, Gianni De Michelis, was held in Venice, August 29-31,
1991 (World Arts Forum 1991). Over 200 artists and leaders of various global
arts constituencies attended including:
Helen
Ahrweiler, Princess Wijdan Ali, Adrienne Clarkson, Johnny Clegg, Alain Dudoit,
Aprad Goencz - President of Hungary, Joseph Kosuth, Quincy Jones, Jack Lang -
French minister of culture, Lorin Maazel, Sir Yehudi Menuhin, Rodion Shchedrin,
Vladimir Spivakov and Adelina Von Fuerstenberg.
The
Forum established an eight part action plan:
a)
draw attention of governments, at all levels, to the importance of
the arts in
education;
b)
create a global cultural monitor pinpointing each year the positive
and negative
developments affecting the arts in all major countries;
c)
engage all Council members in networking in support of key
challenges facing
humankind, e.g. the environment;
d)
create an exhibition and establish an award to encourage the media
to play a
more positive cultural role;
e)
set up a body to work with media entrepreneurs for creation of a
World Arts
Channel;
f)
develop a feasibility study and program for a World Arts Village;
g)
create or sponsor a centre for interaction between modern
technologies and the
arts; and,
h)
reinforce networking among members of the Council of the World
Arts Forum by
producing a short video presenting each
of its members.
In
the conduct of the action plan, Professor Schwab became aware of my cultural
economic research and databasing of the arts and their economic implications.
This perspective was alluded to by Jack Lang, French minister of culture, during
the Venice Forum, when he said:
I
remember the indignation that confronted me when I dared to say: ‘culture and
economy, the same battle!’ For some I was a traitor to culture; for others I
was a farceur. But today, these two worlds - the economic and the
aesthetic - hold a forum together (World Arts Forum 1991).
Accordingly,
the Professor invited me to attend the World Economic Forum to discuss
development of a world arts report. Through a grant from the International
Cultural Relations Bureau of External Affairs and International Trade Canada, I
was able to accept the invitation. This article reflects my assessment of global
business attitudes towards, and perceptions of, art and culture expressed at, or
by, the WEF annual meeting. I will also outline developments concerning the
World Arts Forum with particular attention to the proposed World State of the
Arts Report (WSAR).
Participants
First,
who’s who? Held in Davos, a ‘jet-set’ ski resort in eastern Switzerland,
the 1992 World Economic Forum lasted 8 days from January 30th to February 6th
1992. At any one time, there were over 1,000 persons in attendance. The Forum
was chaired by Henry Kissinger, Sony chairman Akio Morita, former Bundesbank
president Karl Otto Poehl and former chairman of the U.S. Federal Reserve Board
Paul Volker. The rapporteur was former French Premier Raymond Barr. The theme of
the meeting was ‘Global cooperation and megacompetition’.
In
addition to plenary and briefing sessions, global corporate executives such as
the Presidents of Aerolineas Argentinas, Barcardis, Black & Decker
Powertools, LTV Aerospace, Kelloggs, Olivetti, Pepsico, Porsche, Sony and
Swissair met, informally, with government leaders such as the Prime Ministers of
China, India and Pakistan; the presidents of the newly independent republics of
the former Soviet Union, Eastern Europe and Yugoslavia; President de Klerk,
Chief Buthelezi and Nelson Mandela of South Africa; Sir Leon Brittain, the
European Commissioner for Competition Policy; and, His Royal Highness, the
Prince of Wales.
Heads
of world leading universities, research institutes and trade organizations
attended and participated including: the Academy of National Economy Moscow, the
French Ecole Poly-technique, Hungarian Academy of Sciences, Johns Hopkins
University, London School of Economics and the Universities of Chicago, Geneva
and Zimbabwe; the Canadian Business Council on National Issues, Confederation of
Indian Industry, Federation of Swedish Industries, International Chamber of
Commerce, Japan Association of Corporate Executives, and the Russian Union of
Industrialist and Entrepreneurs; and, the American Enterprise Institute, German
Institute for Economic Research, Korea Development Institute, Keil Institute of
World Economics, Japan Centre for Economic Research, Mexican Centro de Estudios
de Competitividad, US National Bureau of Economic Research and the Swedish
Institute for International Economic Studies.
In
short, WEF was a world summit of academia, business and government. Security,
provided by the Swiss armed forces, reflected the power, wealth and wisdom there
assembled.
THE 1992 WORLD ECONOMIC FORUM
In
his opening address, Professor Schwab noted the fundamental shift from a bipolar
to multipolar world, but went on to say: “All is not dead, and all that is to
come, is not yet born”. He declared 1992 to be a turning point in history with
conclusion of the current round of the General Agreement on Tariffs and Trade
(GATT) negotiations, convening of the United Nations’ Earth Summit in Brazil
and final dissolution of the USSR into the Commonwealth of Independent States
(CIS). He hoped the Forum could bring together business, government and academia
to face seven challenges:
a)
define Asia’s role in the ‘New World Order’;
b)
develop support to assist the CIS and newly democratic states of Eastern
Europe
in the transformation to democracy and market economies;
c)
assist in formation of a post-apartheid South Africa;
d)
assist in the rebirth of a democratic South America;
e)
restart the engine of the global economy;
f)
foster a renaissance of the global value system; and
g)
use the ‘spirit of Davos’ to solve regional conflicts such as
that in
Yugoslavia.
Geopolitics
From
this opening speech, the Forum broke out into 8 days of plenary addresses,
discussions, suppers, lunches and over 100 ‘briefings’. The sense of the
Forum will be summarized with respect to geopolitics (Thorsell 1992: D-1 &
D-4), geoeconomics and geocultures. With respect to geopolitics, six
observations are offered: The Asians; CIS & Friends; Cultural Nationalism;
Havel’s Show Stopper; Political Culture; The South Africans; and, The South
Americans.
The
Asians
Asian
leaders including the Premiers of China, India, Pakistan and Japan (former Prime
Minister Takeshita) delivered a clear two-pronged message:
a) Asia is aiming at greater economic parity with North America and Europe.
In
this regard, former Japanese premier Takeshita noted that the population of
North America (USA, Canada and Mexico) is about 320 million, the European
Communities about 360 million and East Asia, excluding China, about 510 million.
Their annual economic output was: North America, $US 6.2 trillion; the EEC, $6.5
trillion; and, East Asia, $3.7 trillion. Current annual economic growth was:
North America, 2.8%; the EEC, 3.1%; and East Asia, 5.4%. On a straight line
projection, East Asia will catch up to North America by 2011 and to the EEC by
2016; and,
b) there are many different paths to democracy and the market economy.
They
warned against attempts by the West to impose its own path upon historically and
culturally different nations struggling towards democracy, a market economy and
human rights.
The power of Japan was everywhere to be heard. Tension between Japan and the USA
was evident. The Japanese were not defensive, however, about their collective,
feudal success contrasted with the distress of a relentlessly individualistic
Industrial America. The President of Sony mockingly asked if Japanese companies
should be required, by international law, to pay higher dividends to
shareholders, to force workers to work shorter hours and exercise less quality
control as in America. Henry Kissenger said:
The Americans believe they will be the centre of the New World Order; the
Europeans believe they will be the centre of the New World Order; the Japanese
know they are the centre of the New World Order.
Another Asian issue was competition for the hearts and minds of the newly
independent Islamic states of the former Soviet Union. Turkey is using enhanced
international broadcasting to ‘secularizie’ Turkomen-speaking republics from
the Turkish border to China. Pakistan is trying to link up with these same
republic but through orthodox Sunni Islam as the cultural tie. Iran is reaching
out to ethnically related republics such as Azerbajan. It was noted by a Russian
delegate that Kazakistan has become the first Islamic nuclear power and India
and China are the last colonial empires.
CIS & Friends
The deputy Prime Minister of Russia, 7 presidents from newly independent
republics as well as the Presidents of Bulgaria, the Czech and Slovak Federal
Republic, Hungary and Romania attended. Presidents or prime ministers from most
of the warring Yugoslav states were also in Davos. All are open for businesss;
all expressed mutual distrust and ethnic hostility. Western business was not
eager to go where angels fear to tread. No mention was made of the skilled
artists and artisans in these new democracies and the traditional craft skills
they retained ‘under the surface of totalitarian boredom“ (Havel 1992).
Cultural Nationalism
Nationalism was a constant subject of discussion at the Forum. During a briefing
chaired by Richard Pipes, Professor of History at Harvard University, Pipes
opened by saying the last unintended gift of the Soviet Union is awareness of
the cultural dimension of global transition. The 19th century,
liberal-imperialist state is gone. In the European Communities, the policy of
‘subsidiarity’, roughly translated as support for government closest to the
people, is fueling fragmentation of the European nation states by fostering
regional cultures of the Basques, Catalons, Scots and Sicilians; each actively
seeking self-realization. Yugoslavia and Armenia show the lengths to which some
‘nations’ will go for independence. Even the threat of economic collapse is
insufficient to stop a people, who want to be a people, from struggling for
independence. How do we get ‘real’ national expression without new
nationalism?
Pipes went on to say that the world lives in different historical
time zones. Once upon a time ‘nations’ were isolated and called themselves
simply ‘the people’, e.g. Deutsch. But mass communication and education is
making all ‘peoples’ aware of their distinct identity and their relative
geoeconomic well-being. This has created three clearly defined cultural areas
resulting from dominance by the ’Big 3’ - North America, Europe and Japan.
Padma Desai, Professor of Economics at Columbia University, argued that the
enforced linkages of the old Soviet Union must be replaced by voluntary ones.
But, she added, even a city-state such as Singapore can survive through trade.
The lesson of the break up of the Soviet Union is threefold: economic ties are
not necessarily sufficient to hold a country together; nationalism is an
irrational force; and, there is a need for consensus and wisdom.
Galina
Starovoitova, Cultural Advisor to Boris Yeltsin, noted that nationalism
in the Soviet Union is simply part of the struggle against totalitarianism.
At
its core, nationalism is a question of language and, to a lesser extent,
religion. In this sense, India is the last empire. She stressed that a ‘nation’
is the basis for building civil society and a state is simply a mechanism for
establishing such a society. Thus the state is a means; civil society is the
end. She noted that the European Communities and the Soviet Union are moving
towards the middle from opposite ends. In the Soviet Union forced integration
has led to independence while in Europe, independence has led to integration.
No
mention was made of the fact that culture has emerged from recent trade
negotiations relatively exempt from requirements for ‘free trade’. Existing
international trading agreements distinguish and exempt commercial cultural
goods, e.g. motion pictures. With respect to the General Agreement on Tariffs
and Trade (GATT), four provisions permit such a distinction to be made (Articles
XI, XII, XX a, f and XXI). Consider Article XX sub (a) which permits import
restrictions to protect public morals. To the degree public morals form a
distinct part of national culture, then to that degree foreign cultural goods
can be restricted. The most obvious example is Islamic societies which hold
fundamentally different values from the West concerning relationships between
men and women. The USA has not, to my knowledge, publicly objected to
prohibition of its film products by ‘fundamentalist’ states. But even in
Western nations, concern about sex and violence in books, film, video and TV has
traditionally justified import restrictions on cultural goods from more ‘liberal’
countries, e.g. Swedish ‘kiddy-porn’. Similar cultural exemptions exist in
the Canada/USA Free Trade Agreement and in the Treaty of Rome establishing the
European Communities.
The implications of exempting cultural sales and services
from ‘free trade’ are significant, particularly in an era of accelerating
change. If political sovereignty has been progressively reduced through Cold War
military alliances and economic sovereignty by the integrating effects of
international trade agreements, then cultural sovereignty has become the last
frontier for national preference in international affairs.
Havel’s Show Stopper
The plenary address by President of the Czech and Slovak
Federal Republic, Vaclav Havel, was the most powerful presentation - a show
stopper. His speech has been reprinted on page E-15 of the Sunday, March 1st,
1992 New York Times. The death of communism means the end of the modern age; an
end to faith in scientific rationality to solve the technological nightmares it
has created. Havel, a playwright, implied that art and culture are the vehicles
for expressing the subjective truths of the human heart (Chartrand 1988: 5-39).
Havel was followed by His Royal Highness, the Prince of Wales. HRH was simply
upstaged. Professor Schwab concluded this emotional plenary session with: “We
need not only liberalization of economics but also a liberalization of man!”.
Political Culture
The Forum highlighted recent changes that have altered our world: the end of the
Cold War; the collateral death of communism as an ideology capable of mobilizing
masses of people; the disintegration of the Soviet Union; the emergence of
regional conflict such as the Gulf War as the primary threat to world peace;
revitalization of the United Nations as a vehicle for collective security; and
the emergence of cultural identity and sovereignty, education, the environment,
religious fundamentalism and mass migration as major international issues.
But many of these global political changes can, at least in part, be attributed
to cultural factors. The ‘global village’ argument contends that experiences
shared on a global scale through communications media transcends differences
among citizens of separate nations or regions. Some observers point to
developments in the Soviet Union, Eastern Europe and China as responses to
values of freedom, dignity and prosperity transmitted through penetrating
networks of global mass media and communications. Young people ‘rock'n roll’
to the same beat and watch the same music television around the world.
Another
outcome noted at the Forum is that the presidents of Lithuania, Hungary and the
Czech and Slovak Federal Republic are artists. It seems the search for vision
has led the electorate, in some newly democratic Second World nations, to look
to academics and artists for leadership. In this regard, the ‘hard-nosed’
capitalist audience was left speechless when President Havel said:
It is my
impression that sooner or later politics will be faced with the task offinding a
new, post-modern face. A politician must become a person again, someone who
trusts not only a scientific representation and analysis of the world, but also
the world itself. He must believe not only in sociological statistics, but in
real people. He must trust not only an objective interpretation of reality, but
also his own soul, not only an adopted ideology, but also his own thoughts; not
only the summary reports he receives each morning, but also his own feelings.
Soul, individual spirituality, first-hand personal insight into things, the
courage to be himself and go the way his conscience points, humility in the face
of the mysterious order of Being, confidence in its natural direction and, above
all, trust in his own subjectivity as his principle link with the subjectivity
of the world - these, in my view, are the qualities that politicans of the
future should cultivate (Havel 1992).
The South Africans
President de
Klerk, Chief Buthelezi, Nelson Mandela and Jay Naidoo the head of
the South African trade union movement all appeared on the same stage. The ‘capitalist’
Forum responded warmly to de Klerk ‘economic reasonableness’ but cooly to Mr
Mandela’s ‘politically correct’ posturing. Overall, however, a sense of
hope concerning the future of South Africa permeated the audience.
The South
Americans
The Presidents of Columbia and Venezuela warned of shifting attention from the
Third towards the Second World, i.e the former Soviet Empire. Failure to invest
and develop the Third World threatens environmental degradation, nuclear
proliferation, drug trafficking and mass migration. After his speech, the
President of Venezuela returned home to face a military coup (suppressed) and,
next day, received a resolution of solidarity from the Davos Forum.
Geoeconomics
Among the many economic issues discussed at the Forum, five observations can be
made. These are: Competitiveness through Culture; Corporate Culture; Creativity as the Ultimate Resource;
The Italian Economic Miracle; and, Trading Blocs
Competitiveness through Culture
Comments were made throughout the Forum concerning culture and
competitive-ness. It was suggested European agricultural subsidies and Japanese
non-tariff barriers - issues stalemating current GATT negotiations - are as much
cultural as political or economic in nature. Agricultural policy in Canada,
Europe, Japan and the USA are justified as protecting a way of life “the
family farm’, not just another instrument of economic policy. Similarly,
Japanese tradition favors small local stores creating a barrier to trade which
is cultural, not political or economic in nature.
Other than agriculture, GATT
negotiations are floundering because of disagreement about intellectual property
rights such as copyrights, industrial designs, patents and trademarks. GATT
discussions have run up against a cultural problem, i.e. differing concepts of
‘creator’s rights’ in English Common Law and European Civil Code
traditions. The Civil Code recognizes creators have inalienable rights extending
far beyond those recognized by common law copyright. These rights limit the
power of corporate entities to exploit intellectual properties. The American
position is that civil code rights granted to individual creators should be
extended to corporate copyright holders. The Europeans disagree (Unesco 1991).
Canada is unique because it is the only country in the world with both common
law and civil code traditions.
Product design and product quality were also
discussed. According to the World Competitiveness Report (World Economic Forum
1991), the United States, among 23 developed countries, ranks 1st in population
with at least one university degree and 1st in advertising expenditure per
capita but 8th in product design; 11th in worker motivation; and 12th in product
quality. The result is the most highly educated work force in the world is made
up of unmotivated workers producing poor quality and poorly designed goods.
To
rub salt into wound, the United States then spends more money than any other
country advertising its domestic goods which can not compete with European and
Japanese products which successfully marry aesthetic and utilitarian value.
Corporate Culture
One notable change in corporate culture was reflected in a language shift from
‘multinational’ to ‘multidomestic corporations’. Business recognized
that to do business in different countries requires awareness, sensitivity and
responsiveness to those cultures. Furthermore, it is necessary for global
business to use art and culture to foster tolerance and mutual understanding
between various ‘multidomestic’ markets and thereby insure stable
international markets.
The need to be sensitive to different cultures was linked
to the need for independent local CEO’s of global enterprise. This was
highlighted by Donald Kendall, co-founder of Pepsico who recounted two stories.
The first concerns Pepsi’s operation in India. For years, the company had not
been permitted to operate in that country. When the ban was lifted a local CEO
was appointed who knew the country, its culture and its language. Without
notice, however, the Government of India passed a decree prohibiting Pepsi from
using its brand name in the Indian market. The local CEO quickly changed the
name and arranged to have new bottles produced and an advertising campaign
initiated. Just as this program was to be launched, the Government withdrew its
decree and the company began using its internationally recognized brand name.
The former Pepsi president, nonetheless, praised the local CEO for the quick
action required to save the company’s operations.
The second story concerned
last year’s aborted coup in the Soviet Union. After taking refuge in the
Russian parliament, Boris Yeltsin and his supporters were surrounded by KGB
troops. After three days, the democrats had no food. One of Yeltsin’s advisor
called the Moscow Pizza-Hut (owned by Pepsico) and ordered 300 pepperoni pizzas
to go. The local manager knew if he filled the order and the coup was successful
then the business was finished and he could be sent to Siberia or shot. Nonetheless, the order was filled and delivered through rows of tanks and KGB
troops . Two cases of Pepsi were provided free. After the coup failed, the
Yeltsin advisor phoned the manager and said: ‘Thank you, we will not forget.’
Creativity as the Ultimate Resource
Akio Morita, the founder and chairman of Sony, was asked how Sony dealt with ‘megacompetition’
He answered: ‘What competition? Sony invents and innovates new products; there
is no competition”.
In a more philosophic vein, a community, region or nation
will eventually run out of raw materials and lose comparative advantages based
on traditional sources of wealth generation. Only creativity can conjure up a
substitute which turns lead into gold, sand into silicon chips or a first novel
into billions in book, movie, T-shirts, toys, records, tapes and other ancillary
sales and royalties.
Today, there are as many people in American regional centres as there were in
ancient Athens, Renaissance Florence or Shakespeare’s London. All that is
lacking is a civic psychic alchemy that cultivates talent and genius. How much
is one Edison or Armani worth to a national, regional or local economy if he or
she is attached to that community by ties of care and culture?
Italian Economic
Miracle Revisited
In a debate between Donald Kendall, co-founder and former president of Pepsico
and the president of Olivetti, Carlo De Benedetti of Olivetti stressed the need
for a European industrial plan. The former Pepsi president argued state
intervention would not work and noted the political instability of Italy - 45
governments in 45 years. De Benedetti, in effect, retorted: ‘You’re wrong!
Italy has the most stable government in the West. At this moment in Rome, the
same men sit around the cabinet table who sat there 45 years ago! What other
government can claim such stability! And why? Because 1/3rd of the electorate
consistently voted Communist throughout this period; the 2/3rds majority knew a
Communist government did not mean a simple change of government, but rather
change of the entire system. Accordingly, elected representatives of the 2/3rds
majority simply rotated ministries - this year foreign affairs, next year the
ministry of agriculture and, someday, the prime ministership. The results of
this stability has been the growth of the Italian economy to a higher Gross
Domestic Product per capita than the United Kingdom - in 1989, $USA 15,051
versus $14,642, respectively (OECD 1991). How has Italy achieved economic
success?
The basic point is a simple one, and it applies to the widest range of
industrial products: after things work well people want them to look well. After
utility comes design. And design depends not alone on the availability of
artists; it involves depth and quality of the whole artistic tradition. It is
upon this that industrial success comes to depend.
Proof is wonderfully evident once we learn to look for it. One of the miracles
of modern industrial achievement has been Italy. Since the war Italy has gone
from one public sector disaster to another with one of the highest rates of
economic growth of any country in the western industrial world. No one has cited
in explanation the superiority of Italian engineering or science. Or of
industrial management. Or the precision of the Italian government policy and
administration. Or the discipline and cooperativeness of the Italian unions and
labour force.
The Italian case is only the most vivid one. The industries of Paris, New York
and London - textile and furniture design, building construction, dress
manufacture, advertising, film-making and theatre - all survive in these
otherwise economically inhospitable surroundings because of their juxtaposition
to the arts. And there is ample indication that they survive better in
consequence - are less vulnerable both to the competition of the new lands and
the devastation of modern economic policy - than the solid industrial
establishments of traditional economic achievement: the steel mills, automobile
factories and coal mines. It has been little noticed that in the older
industrial countries those industries and cities that best survive are those
that co-exist with a strong artistic tradition (Galbraith 1983).
Trading Blocs
The consensus at the Forum was that fear of ‘trading blocs’ like Fortress
Europe is generally overstated. Cross-investment by international firms is so
great and intra-firm pricing so common that ‘nationalistic’ barriers are a
declining threat to the stability of world trade.
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